Wales plays Falklands in Simon Weston film
A new feature film following the life of Falklands War soldier Simon Weston is set to double Wales for the remote South Atlantic island landscape.
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Cinematographers on avoiding convention
Established directors of photography Anthony Dod Mantle and Seamus McGarvey have talked about avoiding tried-and-tested filmmaking techniques and embracing creativity.
The Production Guild Awards - the winners
Now in its third year, The Production Guild Awards in association with Warner Bros. Studios Leavesden recognise the expertise of Production Guild members working in film and television drama.
World of Locations magazine goes online
World of Locations, the locations magazine for film, TV and commercials professionals powered by Screen International, Broadcast, shots and our sister publication KFTV, has launched its own website this week.
US film production in the UK
US film projects have a robust history of choosing to film in the UK with the combined lure of tax incentives, state-of-the-art studios and world-class crew.
In The News
- Wales plays Falklands in Simon Weston film
- World of Locations magazine goes online
- Born to Kill gears up again
- Foundry Film Studios opens in Manchester
- Holmes and Watson sets up UK shoot
- National Treasure filmed across Yorkshire
- Nick Hornby’s Juliet, Naked eyes UK shoot
- TT race film lines up Isle of Man shoot
- BBC Two’s King Charles III eyes late-autumn shoot
- The Children Act sets up for autumn shoot
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Features
Cinematographers on avoiding convention
Established directors of photography Anthony Dod Mantle and Seamus McGarvey have talked about avoiding tried-and-tested filmmaking techniques and embracing creativity. Read More »
The Production Guild Awards - the winners
Now in its third year, The Production Guild Awards in association with Warner Bros. Studios Leavesden recognise the expertise of Production Guild members working in film and television drama. Read More »
US film production in the UK
US film projects have a robust history of choosing to film in the UK with the combined lure of tax incentives, state-of-the-art studios and world-class crew. Read More »
Being a Media Archivist
Being a media archivist may be considered somewhat archaic in today’s fast-changing digital landscape, but the role remains a vital one as long as moving image material has to be collected and preserved. Read More »
New tech will drive reality TV
New filming technology has been singled out as a central factor driving the development of the reality TV sector. Read More »
Crime noir tips from team behind ITV’s Marcella
Creator of The Bridge and Marcella, Hans Rosenfeldt, delivered an insightful and surprisingly playful crime noir masterclass at this year’s Edinburgh International Television Festival. Read More »
Sally Wainwright – dialogue, directing and highwaywomen
Sally Wainwright has been part of our TV landscape for decades, writing television shows many of us loved. At the Edinburgh International Television Festival she describes the highs and lows of her career. Read More »
Yorkshire production shines in ITV’s Victoria
ITV's new series Victoria has been the first production to film at Church Fenton Studios and marks a shift in the abilities of the production landscape of the region. Read More »
High-end TV levy allays talent shortage fears
The High-End TV Skills Council and the High-End TV Drama Skills Levy are already a hit, according to a panel of experts at this year’s Edinburgh International Television Festival. Nia Daniels reports. Read More »
Charlotte Moore on BBC’s change and top talent pay
Controller of BBC Content, Charlotte Moore, talks about her unprecedented role and a future full of change. Read More »
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