Post Production Facilities


Tape Formats HDCam SR, HDCam, DVC Pro100 HD, HDV, Digi Beta, SX, IMX, DVCPro 50, DVCPro, DVCam, Mini DV, D3, Beta SP, 1", Umatic, SVHS, VHS
Telecine Spirit (HD/SD), Shadow (HD/SD), Ursa Diamond, Nucoda Film Master, Luster, Pogle Platinum (HD/SD) with ESR, Final Touch, Scream, DVNR (HD/SD), Scratchbox (HD/SD)
Telecine, High Definition
Duplication HDCam SR, HDCam, DVC Pro100 HD, HDV, Digi Beta, IMX, SX, DVCPro 50, DVCPro, DVCam, Mini DV, D3, Beta SP, 1", Umatic, SVHS, VHS, DVD, DAT, DA88, ΒΌ", CD, Broadcast and offline ARC, with VITC, LTC, PAL or NTSC
Audio Post MMC, Logic 2, Avant, DS00, Audiofile, Protools, Pryramix
Graphics Shake
Standards Conversions Yes including HD cross conversion
Special Effects Fire, Smoke
Online, Linear 6 machines with Sony BVE9000, DSV7200, Charisma X, Aston Ethos with VIP, 4 machines with Sony BVE2000, DVS2000, ASTON Ethos
Online, Linear, High Definition
Online, Non Linear Avid Symphony Nitris, Symphony, Adrenaline, MediaComposer, MCXpress, DVXpress, Smoke, Quantel eQ, Qedit Pro, Apple Final Cut Pro
Online, Non Linear, High Definition Avid Symphony Nitris, Adrenaline, Smoke, Quantel eQ, Apple Final Cut Pro
Offline Adrenaline, MediaComposer, Apple Final Cut Pro
Offline, High Definition Adrenaline, Apple Final Cut Pro
Digital Master Grading Nucoda Film Master, Luster
2K N
Multi-Media Formats PC, Mac, Coding for MPEG1, MPEG2, H264, WMF, AVI, Quicktime, MP3